Topic of Cancer: BREAST CANCER CARE EMPLOY CAMPAIGN

www.breastcancercare.org.uk/emply

BREAST CANCER CARE EMPLOY CAMPAIGN

Breast Cancer Care are launching a new campaign in May and June relating to best practice in the workplace for employees with breast cancer. The link is at

www.breastcancercare.org.uk/employ

Non-Cancer Types

Reading Amber's message about the definition of cancer personalities as types who can't say no to favours they don't want to do, or to put-up-ons in general regarding their time, expertise, even their bodies, got me thinking about the opposite personality type to this: the ones who don't give an inch. 

You find them in all walks of life, even in professions which are meant to be vocational (i.e. 'caring'). I've met  a couple this last year or so in local musical circles, and I shudder to think of all the little children taking music exams or auditioning before these asocial men (they happen to be men...) with zero people skills: an insensitivity that isn't so much chilling as cryogenic! I've seen grown women in choirs, women who have borne children, held down responsible jobs, passed serious examinations, quake in their shoes before the MD of a provincial choral society.  I used to think it was funny, until it happened to me. Then I slapped myself and reminded myself of what I have achieved, the rich life I have experienced beyond the limits of the cathedral cloister or rehearsal room. I thought about the personality type, and how these anally-retentive and charmless martinets are more to be pitied than feared - even though they probably don't get cancer! 

Having cancer readies you, and steadies you, to face pretty much anyone and anything. This is not necessarily a good thing, of course; and definitely not a state to be envied or sought after. But it is in many ways a privilege being able to laugh at what isn't important, or only important within a little kingdom in  limited locality. The wide world is bigger than that, and to survive, you have to learn to put yourself out there, in the top percentile. No one can give you permission to write or sing or make music, or make a fool of yourself. More often than not, it's the mediocrities in this world (the Salieris, not the Mozarts) who set themselves up as permission-givers (and often, too, by cowardly proxy); but once you learn to see them without their clothes (or on the loo), their power slips away. Although they probably don't get cancer...

My oncologist (a Mozart, not a Salieri - although I hope he doesn't die so young) rang me yesterday to put my mind at rest about the recent smear. An atrophic cell, which could indeed be down to the Tamoxifen, but no need to call for the heavy artillery yet. Duncan is in the right job for the front-line branch of medicine that is cancer. I'm so glad he isn't playing the organ in some cathedral or directing a loss-making choir. A physician, like a musician, should be an artist (even if that implies a certain open-hearted vulnerability). It's more than an ability or capability. It's a gift.

A Cancer Personality?

Amber Smithwhite sent me a copy of an article in this month's Mensa magazine, entitled: 'Is Life Really So Wonderful?" (Ghislaine Vaughan in Mensa, May 08)

Yes, it is - and it is to be hung onto and treasured for as long as it is given to us. But the comment on what may or not constitute 'a cancer personality' struck me with the force of truth.

Ghislaine Vaughan writes: "I once read a book about cancer in which the author, Bernie Siegel, a surgeon with many years' experience of talking to, operating on and generally supporting people with the disease, had come to the conclusion that people who get cancer have a certain type of personality. He even went so far as to suggest that you could tell whether someone was a likely candidate for cancer by asking them the following question, which he had found to be the bottom line: "If a friend asked you a favour and you didn't want to do it, would you do it anyway?" Apparently, if you say 'yes' to this question, you are far more likely to develop cancer than if you say 'no'.
It became clear from this idea that those with a cancer personality are in general far more likely to give up their own wishes in favour of those of somebody else. Bernie Siegel gives many examples of how his patients recovered or had long periods of remission when they were encouraged to pursue their dreams and aspirations, including one young man whose prognosis was bleak until he began playing the violin. He had always wanted to study music but had been pushed into a career as a lawyer by his family. As soon as he gave up law in favour of the violin, he got better."

All of which strengthens my resolve to keep up my studies in singing and piano and take my music diploma next year. I got ninety three percent in my last theory assignment, which was a boost to the morale in a week when I had an abnormal (well, 'borderline') smear result. I now have to have something called a colcoscopy - ironical, really, since the reason for putting off the smear test for so long, while I was undergoing treatment for breast cancer, was that I thought I really couldn't cope with any more humiliating poking and prodding. Well, now I think I can. And I will. Because it is worth it - it is. It's a wonderful life.

The P Word

Today I received some paperwork from the Healthcare at Home people, confirming that my Herceptin at home treatment is classified as 'palliative'. Three years ago, the p word would have set the world spinning for me, but now, I think, it frightens me less than a total discharge would have done - or do. Because I know now that one can never be totally discharged from this disease (it has such a nasty habit of biting back when least expected), palliative treatment, or care, which doesn't (necessarily) mean the end of the line but merely another means of living with the disease, seems a healthy way forward.

An acquaintance of mine also sent me a dog-eared newspaper clip, dating from 1983, about treatment choices, specifically whether or not to go ahead with a mastectomy in the case of the woman featured. She opted not to have the op, and my correspondent was wondering if she had survived. Twenty five years is a very long time in the story of cancer treatments, and many of the life saving (or life prolonging) drugs available readily now were simply unheard of then - like Herceptin, for instance. Before the discovery of this monoclonal antibody, there was no point in testing biopsy tissue to see whether women were Her2 positive or not - because, if they were, there was no treatment. Now there is, and I don't care whether is it palliative or not, as long as it works.

I remember sitting in the marble bathroom of the 5 star hotel in northern Spain where I was staying just before my operation and wondering whether I should go ahead with it after all. The chemotherapy (FEC) I had had over the previous eighteen weeks had taken out one lesion altogether and shrunk the other down to a size which made it feasible to operate. My poor right breast felt normal again. The puckering had gone, and so had the lump I could feel. As for the other rogue cells at large in my system, I knew removing my breast was not to going to have the least effect on them - their control was down to the chemo and the Herceptin alone. But still I went ahead, two days after sailing back from Spain. I went ahead because my doctors, Duncan and Alistair, had now decided it was 'worth it'. Surgery, though, was without doubt the worst part of the whole business for me, apart from the emotional shocks (disappointment in family members) which were nothing to do with the disease itself (although they may have had a lot to do with its progression). The surgery was bad because it was painful (at least in the aftermath) and ate into my daily routine (I couldn't drive my car for a couple of weeks) and - worst of all, it necessitated a week's stay in hospital, which meant, in theory, a total lack of privacy for me - a state of exposure I thought absolutely couldn't stand. In the event, though, I was only sharing with two other women in the bay after we had conspired to remove the old woman with dementia who kept us up all night with her complaining, and - worse - had a terrible, whingeing daughter who was visiting on the ward from 8 thirty in the morning till 8 pm at night and for some reason lit on me as the patient to badger. This ghoul (for that's what she was) haunted me throughout the day I was waiting to go down for surgery with her tales of people who had died (from breast cancer) and those who ended up with lymphodema. At last, I shook her off and hid in the chapel; but when the time came for me to change into the theatre gown, she stood over my bed and made a running commentary on the progress of my undressing to her demented mother (and father). Boy was I glad to see the back of her. I guess she's badgering someone else now. That's the trouble with whingeing hypochondriacs: they always live to tell another tale.

Still, maybe she chased me into the chapel for a reason. The Gospel was open on the story of the storm at sea in which Jesus (who is sleeping soundly as the sea is raging) admonishes his disciples with the question: 'Where is your faith?' I knew I would be all right after that. I just knew.

Herceptin at Home

Yesterday, my treatment came to me. I have always been wary of having it at home, thinking this must be the thin end of the wedge, the slippery slide to the hereafter that no one with cancer wants to get onto; but it didn't feel like that at all. In fact, my only regret now is not taking up Duncan's (my consultant's) offer to 'have it at home' in the first place.

The nurse, Sarah, was uniformly charming. The equipment came in a discreet black suitcase on wheels - thanks to the weight of the oxygen cylinder inside and the foldaway chrome drip stand. We set up straight away, me soaking my hands in my kitchen sink while Sarah moved the chair around. She found a vein within seconds and was in it even faster. I have never before had a 'flashback' (haemorrage) into the valve as fast and furious as that. Then we sat and chatted while the drug dripped in under its own pressure. The electronic pumps they use at the hospital are apparently only for monitoring. 'So they can go off and see to other people,' Sarah said. 'But you have me - my undivided attention, for the next two hours.'

It passed really quickly. I was warm, holding my hot water bottle, and completely stress-free in my own armchair with my feet up on the plastic cube. Sarah went out to look at my garden and said she was booking some time out there in the summer months, which made me visualise having my treatment under the trees, with the parasol protecting me from dripping sap.

Sara works for a private company that provides outreach nursing services to both the NHS and private sector - and I felt like a private patient in her care. The Herceptin bag came by overnight courier from Burton on Trent, and I was presented with my own smart blue file, containing the usual protocols, an emergency on-call contacts list, and a copy of Duncan's prescription. Sarah had a hand held gadget that printed out the treatment notes onto a label she stuck into the file. Cannulation attempts: 1, etc, etc. Tolerating it well.

If this is all I have to tolerate from now on, I can live with that.

I am living with that!

City of Light

On the haem clinic wall is a picture of Paris. It's the Champs Elysees, I think, because the Arc de Triomphe is visible in the background, although it could be a view from that boulevard in the 16th arrondissement, the other side of the Etoile, where my Serb friend, Lydia, used to live. I don't know where she lives now because she stopped speaking to me when I refused to see the Yugoslav civil war in Serb-delineated black and white. I know she married a fellow Serb in Paris, a composer, no less, who came to visit us in Cornwall twice and even composed a piano piece for me. They have since divorced.

Back to the picture: the foreground has buildings on the boulevard done in garish colours, with a cafe-terrasse down below. The right hand of the composition is carefully drawn in, but the left is an impressionistic mess - it could be a rainy pavement, it could be the cafe lights twinkling in the twilight. It could just be that the artist got tired, as patients get tired in the haem clinic, of sitting there and wondering what to do next. But it did its job in distracting me from the blood bags and the needles. It took me back, albeit in a sort of cynical, superior way, to Paris, where I spent so much of my life, first as a student at the Sorbonne and then in a variety of useless jobs. Actually, I spent a lot of time in Paris even before that. I've been doing nothing in Paris since I was about fifteen. I often think about going to live back there, but then I visit again and the same old ennui washes over me: Been There. Done That.

Still...Paris. In the Spring. Paris. Nuits de juin, dix-sept ans, On se laisse griser... (That was Rimbaud, not me, the enfant-terrible of a poet my tutor at University said he would have hated to have in HIS class...) Henry Miller is another notorious liver-in-Paris. (Alistair would not have wanted HM in his class either...) I remember so much about the place - those parties held by American, Jim Haynes, in his atelier in Montparnasse, trying to perpetuate the Paris of long ago, of writers and artists and no-hopers but determined livers nonetheless.

I wonder what it means to the others who see that picture every day? It's more evocative than the other pictures they've got up there, most, I suspect, donated by grateful patients. There are static views of Cornwall ( it's possible to make even the sea here static if you've got no eye) and the odd abstract. But Paris did it for me, even though the Champs Elysees has to be my least favourite part of the city of light. It caught the aspect of the entire city, something of its spirit. And in a haematology clinic in Truro on a Monday in February, that's saying something. That is succeeding in something.